Your rating for "Makes Me Think Of Home" by RAY WILSON 11
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15 points - outstanding (0) 0%
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14 points - very good (1) 9%
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13 points - very good - (1) 9%
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12 points - good + (3) 27%
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11 points - good (2) 18%
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10 points - good - (1) 9%
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09 points - satisfactory + (1) 9%
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08 points - satisfactory (0) 0%
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07 points - satisfactory - (0) 0%
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06 points - sufficient + (0) 0%
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05 points - sufficient (1) 9%
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04 points - sufficient - (0) 0%
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03 points - poor + (0) 0%
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02 points - poor (0) 0%
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01 point - poor - (0) 0%
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00 points - abysmal (1) 9%
We invite you to share interesting facts and tidbits about this track. Let's look at the track in the context of the band's / the artist's history, at the music, the songwriting and all other aspects that are relevant for this track. Please do stick to the discussion of the track above. Comparisons to other tracks are okay, but remember that the other track you may be keen to talk about has or will have its own Track Of The Week thread. If you spot a mistake or if you can close a gap in the fact sheet above please feel free to contact martinus or Christian about it; we will gladly add and improve!
RAY WILSON - Makes Me Think Of Home Year: 2016 Album: Makes Me Think Of Home Working title: ? Credits: Wilson/Hoff Lyrics: Yes Length: 7:56 Musicians: Ray Wilson, Nir Z., Uwe Metzler, Lawrie Macmillan, Ali Ferguson, Kool Lyczek Played Live: 2016, 2017, 2018, 2019, 2020, 2021, 2022 Cover versions: unknown
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Notes: Our current TotW is the title track of Ray Wilson's 2016 album of the same name. As is well known, what was originally planned as a double album with the working title Backseat Driver ultimately became two separate albums: Song For A Friend and Makes Me Think Of Home. Both were released in the same year. Even if it was actually one and the same project that produced this output, this creative power is quite remarkable - at least superficially viewed quantitatively. This week, you are to judge the qualitative assessment by the example of the title track of the "Plugged" album from this "double pack". Our review even suspects a "rare excursion into progressive structures" in this piece. Can you share this assessment? Or is the playing time the only proggy element? |