Posts by Witchwood

    ...His weirdest album probably is Reactor from 1982, which is trash punk with an Elvis-like Neil on the cover.


    Ain`t got no t-bone. Got mashed potatoes.

    The Elvis-like Neil is actually from the cover of Everybody's Rockin'.

    The weirdest one for me was Trans which Neil has said was inspired by a combination of the music of Kraftwerk and the computerized means his son uses to communicate (I believe the son he was referring has cerebral palsy).

    The first time I saw him in concert, oddly enough, was on the Trans tour in 1983.

    I've seen him twice since then.


    I'm a huge fan.

    I can't say I love everything he's released but certainly as a live performer, I've never been less than overjoyed coming out of a concert hall after seeing him.


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    Not a bad movie... At the beginning, was not sure what was going on at first, but it soon resolved itself... This movie starts off with very short stories about people commiting crimes and fraud.. Instead of getting shot or going to jail, all these culprits leave the their counties and move to South America, where they work on an oil field. The story is about a massive explosion on the oil field and the only way to stop this, is to use explosives to stop the leak. However, the only explosives around have been sitting for years and very fragile (nitro gyclerine). Care is needed to transport these explosives over some 216 miles on some of the worst terrain...


    Music score by Tangerine Dream..

    Good suspenseful film and I really like the soundtrack. The album is well worth picking up if you're a Tangerine Dream fan.

    Steely Dan is one of those bands I don’t very play often, but when I do it's like a drug injection, I usually end up wanting to listen to two or three more in row.

    I’ve have their first six albums.

    Can’t Buy A Thrill is my favourite, and The Royal Scam is my second.

    If I tried ranking them beyond that, I would probably have a three- or four-way tie.

    There isn't a bad or weak album in that bunch, IMO.

    When I started I resolved to only collect soundboard and pre-fm material. Over time I've opened up and I'm glad I have. There are some vital audience recordings out there. One that springs immediately to mind is the show at The Marquee in 1982....

    I agree. In addition to the Marquee show, a couple of others I'm quite fond of is Roma 72 and Academy of Music 74.

    Even though there are superior sounding FM or pre-FM recordings from the SEBTP tour, the Academy recording is a solid performance and has a couple of little jams in there that make it a bit unique. It might actually be my favourite unofficial live recording.

    I've always had a soft spot for Scratch. Admittedly, my feelings are bolstered by the fact it came out the same year I discovered Genesis, and in addition to exploring their back catalogue at that time, I was unearthing the works of former members.

    Scratch was my introduction to Gabriel's solo work during this magical period of musical discovery, and so whenever I play this album I not only take pleasure in the music but in the memories it generates.


    It remains a Top 3 album for me, along with 3 and 4.

    The only Genesis compilation I've made, and it's one I'm quite pleased with, was a non-album track compilation from the post-Gabriel era extracting all the studio tracks from Archive Vol. 2 (minus the edited version of It's Yourself), adding the three from Spot The Pigeon plus the longer version of It's Yourself which ends with that nod to Mad Man Moon.


    Some people don't like compilations that run chronologically - but I do, so it starts with It's Yourself and continues from there.

    Dec. 2, 2002, Air Canada Centre, Toronto


    Considering my first Genesis and Hackett shows were in 1980, and I was a huge fan of Gabriel too, it is inexplicable to me why it took me so long to finally go see him (I've seen him a second time since).

    I guess the stars just never aligned, maybe it was work or some other commitments that hindered me from going earlier.

    I still collect unofficial live recordings though it's probably been about 15 years since I last engaged in a trade. The ability to download recordings from torrent and file sharing websites has essentially eliminated the need to swap discs to expand your collection.