I always find it best to vote instinctively rather than ponder over the choices. So I immediately went for Face Value and Both Sides but really I find a level of consistent brilliance and invention on all the albums right up to and including Dance Into The Light (Testify didn't register with me and still fails to while Going Back, whilst respectable enough, will never replace the original versions of those songs for me.
So, why Face Value and Both Sides? Well, his debut album just bristles with enthusiasm and spontaneity. The strength of Phil's material is in its immediacy (his songs don't hang around waiting to be liked, as one critic put it) and his ability to capture magic in a bottle is second-to-none. He doesn't overwork the material, he uses his demos and gets the very best session player onboard to replicate what he's recorded on his own. On Face Value, he has Ravi Shankar, Eric Clapton, John Giblin, The Phenix [sic] Horns, Alphonso Johnson, Daryl Stuermer and Stephen Bishop on hand to bring his demos to life. And how!
Face Value remains his most satisfyingly diverse collection of songs, which is why it's in my top two.
Now, we come to Both Sides. Phew, this is a difficult listen! I don't mean that in the same way that Metal Machine Music is a difficult listen or Trout Mask Replica is a difficult listen. The music on Both Sides is as beautifully constructed as anything he's arranged before. But the lyrics really plumb the emotional depths of a man in misery. Torn between two lovers, he knows that ultimately happiness can be found with neither of them and he lays out his feelings on this album in a brutally honest way. Musically, this album is his greatest achievement. And he pulls it all off with some very convincing sounds on the emulator.
Both Sides is as close to perfection as he's ever got but it's a far from cheery listen.