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The first part of the Anthony Phillips Recording Compendium deals with his musical beginnings up to the making of the albums The Geese And The Ghost and Private Parts & Pieces.
In the course of his career, Anthony Phillips has made an ever greater name for himself in the genre of library music. His works in this métier are relatively confusing and Steffen Gerlach has also tried to put them in order.
After his orchstral phase, Peter continued working on his new album – but got always disctracted by various litle projects and some touring activity.
The Real World Recording Weeks were legendary: Beside little snippets and outtakes, nothing really saw the light of day – until Peter released an album called Big Blue Ball.
The new century quickly delivered fruther releases after OVO. After a long time of silence, the output was suddenly impressive, not only in terms of quantity.
After Peter Gabriel had finished his Secret World Tour, it took a while until a new album came out. And this was a rather unexpected one.
It was about time: FInally, Peter Gabriel released his next studio album after So – the album US. During the following years, he also released a live album, two CD-ROMs and he got involved again in various projects.
After the huge success of So, Peter took some time until his next big release. Nevertheless, Peter was still quite productive during this period.
It took a while until Peter Gabriel’s third album was released. Peter started to be involved in various projects. In the end this also affected his own output, as you can read here.
Within the Genesis family, there is hardly another musician, who has been that active in terms of songwriting and recording as is Peter Gabriel. It’s nearly impossible to get an overview about stuff he has written and recorded. We try to bring some light into the dark with this series of Recording Compendiums.