OMD/BAUHAUS
STARCAISE
Sebas
E. Alonso
The
new life for OMD continues with good albums and new hits. Only Taylor
Swift is going to stop them from achieving the first UK album number
1 of their entire career this week. The authors of legendary records
from the 80s and songs as recognisable as 'Enola Gay' or
'Electricity' have continued for some years now in duo format -Andy
McCluskey and Paul Humphreys- with such satisfactory results that
they even considered disbanding after their 2017 album, 'The
Punishment of Luxury', because for them it meant "retiring at
the top". Now they say that this new work, 'Bauhaus Staircase',
would be a good epitaph if it were their last, and they are right.
Bauhaus
Staircase' is defined as Orchestral Manoeuvres In The Dark's most
political album. The single 'Bauhaus Staircase' sets out to "tear
down fascist art". Further still, 'Kleptocracy' proclaims that
"no matter who you voted for, they've already bought the man you
elected", amid quotes from "stolen money", Deutsche
Bank, the Kremlin, the KGB and "all the Saudi money in Central
Park".
There
are more neutral and ambiguous songs, seemingly simply about love or
life, but also striking are two spoken word tracks about birth and
death ('Evolution of Species') and overpopulation ('Anthropocene').
The
latter is a story about the number of inhabitants on Earth in
different eras and - WARNING, SPOILER - ends with the planet
destroyed and a total of zero inhabitants, in a reflection on climate
change. This excuse is used by OMD to end their new album in a
totally beautiful way, with a ballad about death like 'Healing'. It
would indeed be very poetic if it were the last song on their latest
album -if it is at all-, as the lyrics begin "You will never die
your death / But will you ever learn to live".
All
this wouldn't be worth so much if OMD had lost their panache, but
that's not the case either. I thought they were swinging at the idea
that they were going to sound like ABBA on this album, but the melody
of 'Look At You Now' speaks for itself. Slow Train', on the other
hand, is reminiscent of the more art pop era of glam geniuses like
David Bowie. This track takes you straight back to 1980 or to
Goldfrapp's recreation of those times on 'Black Cherry' (there was a
cut called 'Train' exactly). And they don't disappoint when they
sound like themselves either, like on 'Don't Go' with those
synthesizers that are joie de vivre itself, or on 'G.E.M.'. They
won't fill stadiums like Depeche Mode, nor will they have the cult
following of Pet Shop Boys, but I'd swear they're in a better
creative state than both of them.
https://jenesaispop.com/2023/1…/omd-bauhaus-staircase-2/