I also think it's a strong track and certainly better than, let's say Only You Know And I Know. 13 from me.
I like 'Only You Know And I Know'.
Posts by IWishItWouldRainDown
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The Same Moon/River So Wide Suite
It's in Your Eyes
Take Me Down
Whereas Both Sides has a 'mayhem-aftermath' feeling (with an aim to win back and mend as much as possible), Dance into the Light has an 'I won't fight (back) anymore' mood.
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Why there has never been a live album release of Wembley'87?
(Or, going on, anything from Invisible Tour in general?
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Also look which rip-off pair is presented as the prototypical one.
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Going on, look what I found on the web some days ago:
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I said that I sensed a kind of influence of 'Abacab' in 'Money for Nothing', not that the latter was actually based on the former, just a personal perception.
And I don't want to begin an argument with you, Backdrifter.
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I have the feeling there is an influence of Abacab (1981) in Dire Straits' Money for Nothing (1985).
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Lucky boy!!!! Great story! Kudos.
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Why don't you propose a Genesis guided tour to Surrey (and surrounding shires) to the English Tourist Board or Visit Surrey?
I know there are Dr Feelgood guided walks on Canvey Island.
But at least Shalford, where Phil Collins lived until '85, must be included (among other Collins-related locations).
As you know, he composed and recorded Face Value, Hello, I Must Be Going and No Jacket Required at The Old Croft there.
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This is the first I’ve ever heard of this. Source?
For example, it is implied on page 219 from Dave Bowler and Bryan Dray's Genesis: A Biography.
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I hope not, cos the Farm has been sold now, so it might have gone in a skip!
I used the Farm as a metonym for Genesis. The same way that Fleet Street stands for the English press despite newspapers ceased publishing there before I was born.
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I think the issue was that they thought We Can't Dance would be a too long album if they included these two. In fact Genesis recorded in '91 enough songs to make 2 albums the length of We Can't Dance. It is known that We Can't Dance 2 is kept within The Farm's vaults. What is more, it was considered at the time the possibility of releasing it as a follow-up afterwards.
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I always play 'Feeding The Fire' when I play this song - for some reason my mind associates them together.
Maybe because On the Shoreline is followed Feeding the Fire as the first two tracks from Archive#2: 1976-1992.
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And Phil Collins is a great artist.
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What all your elongated babbling means when boiled down is simply that you don't like Sheeran and therefore make ludicrous dogmatic statements such as above, turning your personal opinion into supposed fact by putting "what can't be denied" in front of it, and that you're a gushing Collins fanboy who thinks he can do no wrong. It's a lot quicker to just say that.
You've got the wrong place this is the Genesis Forum not the Ed Sheeran Forum.
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I will just repeat that opinion is not fact, and while I agree that Phil has been unfairly villfied, that is hardly the fault of artists like Sheeran & Bieber. We seem to be getting into another area now.
Understood! As I said before, I was just playing with the I Can't Dance lyrics. And my perception is that certain performers are being appointed by the media with far more importance than what they really have (and perceived by the general public). Going on, yes, you're right. This topic keeps snowballing and this is something I do not want either.
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I don't drink coffee at all. And thank goodness I don't have any digestive problems. But thanks for your interest.
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The 80s were musically unveiled with this album.
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The title could be about the English National Opera (ENO).
