Posts by A Whorish Ant

    A little later than some here, but my entry was via Phil's solo stuff. Not hugely, in that I was a massive fan then got into Genesis, but I was just more aware of Phil on the radio growing up. My earliest memory was You Can't Hurry Love on the radio, then Against All Odds, then Another Day In Paradise (with only one out of those three being returned to regularly some 30+ years later). It was his Serious Hits Live album that I first listened to from beginning to end when I was about 12 or 13, which happened around the time that No Son of Mine was released, and I became hooked instantly.


    From there it was a quick progression. I worked backwards a couple of albums, before finding SEBTP in my dad's vinyl collection, and tapes of one of the versions of FGTR and W&W, a strange combination as he was never really a fan of their music. I couldn't get into W&W on first listen, nor on many subsequent listens, but that has changed considerably now. SEBPT I played a lot - the only vinyl experience I can recall in fact - and Firth of Fifth has remained at or near the top of my Genesis tracks ever since.


    Foxtrot was next. I remember being crushingly disappointed, having bought the tape and got home, to find it was faulty in some way. Getting in to town back then wasn't a common thing, but I convinced my mum to take it back and get it replaced the next day. Only problem was, I told her the wrong music store, but she argued with the person there until I think he just gave up and gave her a new one. It's a bit hazy after that as to what came next - I think ATTWT, ATOTT, and Abacab, with the rest following very quickly after. No rhyme or reason to the order, largely what the record store had in at the time, and little means of researching the band back then, so I had little idea early on which incarnation of the band was playing on which album I was buying.


    I feel like I've missed out by only getting into Genesis so late and quite envious of many of you who have memories of older tours. I do count myself fortunate to have seen them live a couple of times though. Also my school friends were getting more into grunge and other stuff that does nothing for me, so I had no one to share my love of their music with, and Phil started to get particularly bad press at the time, so it wasn't "cool" to be a fan of either as a teenager. Still, despite flirting with a few other bands and artists over the years, it's Genesis that I always return to - nothing and no one else ticks as many boxes for me as my first passion.

    As a long-time Clapton fan, I embraced Behind The Sun as a welcome change after a dozen years where Clapton seemed quite settled on playing and recording persistently in the style of JJ Cale.

    I saw him on the Behind The Sun tour (unfortunately at that point without Collins in the lineup) and I recall thinking Clapton seemed revitalized with this new album.


    So I have fond memories and a sympathetic view of the changes brought on by those Collins-produced albums, even though admittedly I think they sound like a product of their time – more so than any other era of Clapton’s music.

    Agree with all of that Witchwood, though sadly just a little too young to see him back then. I did see Clapton several times through the late 90s and early 2000s at the RAH, and he always surrounded himself with top musicians, as you'd expect. Anyway, I digress. I'm sure we could talk about Clapton at greater length elsewhere.

    Especially if he is performing seated and relying on autotune.

    Is this true? Not seen it said anywhere else that he's ever used autotune.


    I'm also a bit miffed he did not bring back Chester Thompson. I get that he wants to put his son in the spotlight, but it just isn't right. His son needs to make his own mark, not play drums for his famous dad. Chester was an integral part of Genesis and Phil's solo work going back to 1977. Phil's son could do a guest song or something, but the main guy behind the kit should be Chester.

    From what I gather it wasn't necessarily about Nic, but about falling out with Chester.

    I love the stuff he did with Clapton, as a drummer and producer. It's unfairly maligned in the eyes of many Clapton fans, but I thought it was the first time in ages Clapton's guitar sounded like it wasn't recorded in a cardboard box. Just Like A Prisoner and Same Old Blues on Behind The Sun, and Holy Mother from August are up there with Clapton's best for me. I've also read several times that for the tours he did with Clapton, Nathan East, and Greg Phillinganes as a four-piece, Phil considered it to be one of the best bands ever.