Yikes! This is, of course, subject to change:
1) Selling England by The Pound
2) Duke
3) Foxtrot
4) A Trick of the Tail
5) Abacab
6) The Lamb Lies Down on Broadway
7) And Then There Were Three
8 ) Wind and Wuthering
9) Genesis
10) Invisible Touch
11) Nursery Crime
12) We Can't Dance
13) Trespass
14) From Genesis to Revelation
15) Calling All Stations
The way they blended "Behind the Lines," "Duchess" and "Guide Vocal" together in a sort of unofficial or unintended "suite" is what really carries this album. The quiet buildup at the beginning of "Duchess," revolving around the Yamaha CP-70 piano and Roland CompuRhythm drum machine is what really won me over on this album.
Love this album, and really can't understand why it gets so much hate from some fans! 
My picks are the following:
1) Abacab-love the gritty, distorted synth sound on this one
2) No Reply at All-I'm tired of hearing it everywhere, lol, but there is no denying how strong of a track this is (it was a hit single for a reason). Mike's bass work here is wonderful, as is the piano breakdown towards the end of the song.
3) Keep it Dark-an interesting take on the new wave dominant at the time; a great churning guitar riff that carries the song, and probably the most interesting lyrics on the entire album.
I'm planning on attending the show in D.C! 
Wish Chester was still behind the drums, but it will be interesting to see how Nic does with the band.
And Then There Were Three, Duke and Abacab. I love the whole Genesis catalogue, but I have a particular soft spot for their sound during the late 70's/early 80's
