Posts by DavetotheB

    It's hard to ignore the first few notes of Genesis Live-absolutely captivating. And much better sound quality than Seconds Out (original mixes).


    If the sound quality was better, I would have gone with Seconds Out, but Three Sides Live sounds soooo much better.


    Final Answer: Live and Three Sides Live.


    Why did it take Genesis until 2007 to put out a live album that had the ALL the track AND in order?

    I actually think this will be the soonest outcome, if you look at it closely. They have rehearsed all the songs and invested all that time and money into the stage set etc. If our government over here are so cautious for the coming months as Mike said it won’t be happening anytime soon. So why not cut your loses and look to performing where it’s practical to do so. If the United States are more accessible then why not for you USA fans?.


    the question is though is the US allowing such live events soon?, can anyone over there chip in with thoughts?.

    The answer is, "It depends." In the US, each state and sometimes municipalities (i.e. cities) within the states or even the venue itself have different rules for capacity limits. For example, baseball stadiums have capacity limits varying from allowing a small fraction of fans up to full capacity. It just depends on location (and politics).


    I'm assuming the band would be playing mostly indoor venues and would want full capacity. That's probably going to take longer to realize than outdoor venues or limited capacity. Also, larger cities along the east coast have generally been slower to roll back restrictions related to gatherings.


    My thought is that at some point, probably sooner rather than later for adults, everyone who wants to be vaccinated will be. That should allow restrictions to be rolled back further. The timeline for that? Mr. Rutherford seems think by the fall. I hope it's sooner but no one really knows for sure. We've come out a period where it was difficult to plan things two weeks in advance. To make predictions about things six months down the road without a lot of caveats is a shot in the dark at best IMHO.

    Lamb, Fly, Cage, Carpet Crawlers and Riding the Scree (a hidden gem IMHO) were pretty easy pick. The sixth probably changes depending on my mood, but I went with Back in NYC. Slippermen, Waiting Room or Hairless Heart could at times round out the six. I also really enjoy the quirkiness of songs like Grand Parade and Counting Out Time.

    Dance, Entangled and Los Endos. DOAV because it's not only a great song, but it might be the most important song for the band having to prove themselves after Peter left. The first few notes followed by thunderous base pedals show they didn't lose a beat. What an intro! Los Endos is my favorite on the album. The third could have easily been Ripples or Squonk. Went with Entangled because that's the one I'm digging of the 3 right now.


    I truly like every song on this album even the quirky RA&B and title track. Mad Man Moon is an outlier which I know gets a lot of love from the fan base. It's a good song and I like it, but it's never "clicked" for me-I just don't get it. But I also recognize that problem lies with me and not the folks who love the song.

    Tough choice! Went with Vine, Unquiet Slumbers/Quiet Earth (it's one song-I don't care what the band says. for the record, my vote was for Quiet Earth) and Wot Gorilla. Blood, Afterglow and Earl are right there. While Blood on the Rooftops is a beautiful piece, it has never resonated with me like it does with most other fans. I know All in a Mouse's Night isn't a fan favorite, but I've always dug the story of the song. The only song I don't like on this record is YOSW. Don't do much skipping when listening to this album.

    This one was probably the easiest of these polls for me. Down and Out, Burning Rope and Deep in the Motherlode. I always felt like DaO was an important song for the band, much like DoaV, since they were album openers during a time of band transition (Steve an Peter's departure, respectively). While DaO doesn't deliver the punch of DoaV, it's still a pretty powerful song. Undertow is solid. Unlike many, I have a soft spot for Ballad of Big and Scenes just because I like the stories. I generally skip the rest. Although FYFM has been growing on me since seeing it performed in 2007. It's a song I generally couldn't stand before that.

    This one is a lot harder to just choose 3! I feel like I'm slighting a lot of good songs... I went with TIOA, which was my gateway to Genesis music after hearing the TSL version, Dukess Travels (I include Duke's End in that as well-not really sure how you can separate the two) and Duchess. I could have easily gone with BTL but have really been digging Duchess of late. Heathaze is up there but just short of the my top 4. I kind of lump all the rest in the next level except Misunderstanding which I've never really cared for.

    #respect


    To each his own which goes without saying, I suppose. Will agree that Abacab was the best of the live versions.

    Tough choices! That could very well change for me in a couple days...


    Dodo/Lurker at the top pretty easily. Then it gets murky...Went with Abacab and Keep it Dark. Me and Sarah Jane could have easily been in there. Great live versions for all these songs!

    Fading Lights and Driving the Last Spike are not negotiable for me. I went with Living Forever as the third, but could have easily done Dreaming While You Sleep or possibly, depending on my mood, No Son of Mine. Seriously though...What other bands at the time could make an album putting an epic song like Driving the Last Spike in between two songs that got ample play on MTV (Jesus He Knows Me and I Can't Dance)? What a band!

    Oh, wow - that's a good band! Do they have a collective name or are they touring under their own names?

    Yeah, the name, Keaggy, Levin & Marotta, is a little uninspiring. But the album has a cool name: The Bucket List. It's a genre bending formation to say the least which lends to the excitement I have for this show. Here's a song off the album. It's pretty good.