I'm the one who voted "outstanding"!
I've always felt that this was one of the standout tracks on the album, showing real promise as to where the band could have gone. I like the darker tone and the greater emphasis on the guitar (is it a synth guitar?) and I thought the vocal line was ideal for Ray Wilson's range. The drums are sparse and Nir Z plays some tasty fills. And the middle eight is just beautiful!
It should have been longer, though. The first time I heard it, I thought the end section was actually the start of another song so it was a real shame that it faded out so quickly. However, editing software is freely available for the amateur mixers amongst us and I've cobbled together a longer mix that, to my ears, sounds just right.
These echo my thoughts on this track, although I gave it 13. I think that configuration of the band had great potential, a lot of which was manifest in this track. Very dark, exploratory, new young writer. I was so hopeful for the next chapter at that point. It was a big deal at the time because they spent a million quid on the video. To no avail really.
His chords and chords changes, melodies, moods and atmospheres are quintessentially Genesis, he literally cannot play anything without sounding like Genesis
This is an interesting observation. I know TB is central to Genesis, but there is not a single song from his solo career I would place above the lowest Genesis track. Maybe, *maybe* something like Queen of Darkness over Hold on my Heart. I find the overwhelming majority of his solo work doesn't really sound 'like' Genesis. I think most of it would have been rejected by Mike and Phil.
I'm not crazy about it, that album sounds more Genesis than most of the stuff on IT or WCD.
IT, WCD and CAS all sound like Genesis to me, but I prefer CAS by quite a bit to the other two.