I'm excited to give it a go, but extremely skeptical that my ears will hear any of what was just described above. Partly I'm sure because the equipment I have is starter level (and I'm unlikely to upgrade) but perhaps moreso I'm just not sure my ears work that way. Maybe a result of too many loud concerts (persistent tinnitus in my left ear since Smashing Pumpkins - thanks Billy). I won't care as long as it sounds good to me, and glad to read such glowing things about it overall.
I’m 59 years of age and due to years of concert attendance standing far to close to speaker cabinets and years of sat on trains etc listening to Walkmans at high levels as a teenager I also have bad tinnitus in both ears which I can hear all the time. I would think I have a significant amount of hearing damage as a consequence of this. So my hearing isn’t as good as some of these audio reviewers like Michael Fremer or 45 audiophile for example, But the difference is that strong it’s impossible for even me with my poor hearing not to notice a significant sonic improvement across the board. Admittedly the equipment a person has makes all the difference but but I think you would hear a substantial improvement even with a good entry level turntable like a Rega Planar 3 and amps of similar quality to that. I do think most people will notice the difference in these without to much trouble - you certainly notice the difference in manufacturing as the covers are really top notch. Even if I was just a fan without the hifi I’d be buying them without hesitation and trust me £250 for two albums is a lot for me to find.
I really think that missing Trespass is a mistake - Abacab isn’t a patch on it for me and never was one of my favourite Collins era albums. Trespass
Has always sounded great , I have the original pink label charisma of that and I can only Drool about what they would of sounded like in this format.