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PETER GABRIEL - The Court - track discussion
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CREDITS:
Words and Music by Peter Gabriel
Engineering by Oli Jacobs and Katie May
Assistant engineering by Faye Dolle, Dom Shaw
Orchestral engineering by Lewis Jones
Orchestral assistant engineering by Tom Coath, Luie Stylianou
Pre-production engineering by Richard Chappell
Produced by Peter Gabriel
Mastered by Matt Colton at Metropolis
Recorded at Real World Studios, Bath, The Beehive, London and British Grove, London.
Cover photo: The Burning of Lifting the Curse, 2022, by Tim Shaw
Photography by Steve Tanner.
http://www.timshawsculptor.com
Drums: Manu Katché
Rhythm Programming: Peter Gabriel, Richard Chappell
Percussion: Brian Eno, Katie May
Bass: Tony Levin
Guitar: David Rhodes
Piano: Peter Gabriel
Synths: Peter Gabriel, Brian Eno
BVs: Melanie Gabriel, David Rhodes, Peter Gabriel
LVs: Peter Gabriel
Orchestral Arrangement by John Metcalfe with Peter Gabriel
Violins: Everton Nelson, Ian Humphries, Louisa Fuller, Charles Mutter, Cathy Thompson, Natalia Bonner, Richard George, Marianne Haynes, Martin Burgess, Clare Hayes, Debbie Widdup, Odile Ollagnon
Violas: Bruce White, Fiona Bonds, Peter Lale, Rachel Roberts
Cellos: Ian Burdge, Chris Worsey, Caroline Dale, William Schofield, Tony Woollard, Chris Allan
Double Basses: Chris Laurence, Stacey Watton, Lucy Shaw
Trumpet: Andrew Crowley
Tenor Trombone/Euphonium: Andy Wood
Tenor Trombone: Tracy Holloway
Bass Trombone: Richard Henry
Tuba: David Powell
Flute: Eliza Marshall
Orchestra Conductor: John Metcalfe
Orchestra Leader: Everton Nelson
Sheet Music Supervisor: Dave Foster
Orchestra Contractor: Lucy Whalley and Susie Gillis for Isobel Griffiths Ltd
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THE COURT (DARK-SIDE MIX) CREDITS:
Produced by Peter Gabriel
Written by Peter Gabriel
Background Vocals: David Rhodes, Melanie Gabriel & Peter Gabriel
Bass: Tony Levin
Bass Trombone: Richard Henry
Cello: Caroline Dale, Chris Allan, Chris Worsey, Ian Burdge, Tony Woollard & William Schofield
Double Bass: Chris Laurence, Lucy Shaw & Stacey Watton
Drum Programmer: Peter Gabriel & Richard Chappell
Drums: Manu Katché
Electric Guitar: David Rhodes
Flute: Eliza Marshall
Mixing Engineer: Tchad Blake
Orchestra Leader: Everton Nelson
Percussion: Brian Eno & Katie May
Piano: Peter Gabriel
String Arranger: John Metcalfe & Peter Gabriel
Synthesizers: Brian Eno & Peter Gabriel
Trombone: Andy Wood & Tracy Holloway
Trumpet: Andrew Crowley
Tuba: David Powell
Viola: Bruce White, Fiona Bonds, Peter Lale & Rachel Roberts
Violin: Cathy Thompson, Charles Mutter, Clare Hayes, Debbie Widdup, Everton Nelson, Ian Humphries, Louisa Fuller, Marianne Haynes, Martin Burgess, Natalia Bonner, Odile Ollagnon & Richard George
Vocals: Peter Gabriel
thanks, just wanted to add this.
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Slightly off topic, but, without googling or imdb-ing, which of the above list of people appears in an episode of Father Ted? (UK comedy set in Ireland)
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Amazing team with the irreplaceable Brian Eno ! But Melanie is on this track 😬…
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Slightly off topic, but, without googling or imdb-ing, which of the above list of people appears in an episode of Father Ted? (UK comedy set in Ireland)
Eno, as "Father Brian Eno"
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Correct!
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Listened.........very distant from the best Gabriel........
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Ah… 😔
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A strange tune. Interesting and experimental but not melodic.
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After a few listen… it’s a wonderful track in my opinion.
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Same here
I like this track a lot.
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Fantastic song. Really digging the lyrics.
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Really like this. It's dark and melodic, and very "new" sounding. I like the dynamic between the verse and chorus. It's reminds me of Darkness but is much more concise (and stronger for it).
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Melody is good, the lyrics are catchy and mysterious.
An easy listening album like So?
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it’s an amazing track. It took a while, but this is far better than Panopticom and it shows Peter is still able to create stunning stuff. It has a little PGIV flair actually.
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I find it more engaging than Panopticom which to my ears sounds unbelievably flat and dull but I'm still far from being thrilled.
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I'm not that crazy about either of them to be honest, but I'm sure I will get to like them.
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I'm not that crazy about either of them to be honest, but I'm sure I will get to like them.
No, neither is top notch, I've been wondering whether my assessment is the result of too long a wait or pent-up expectations but after several listens I simply believe they are average songs.